Teeming with melodic epiphanies and layered sounds, Squid’s second album O Monolith is a musical evocation of environment, domesticity and self-made folklore. Like its predecessor, 2021’s critically acclaimed, UK number 4 album Bright Green Field, it is dense and tricksy – but also more warm and characterful, with a meandering, questioning nature. “I think we’ve been able to have a lot more fun this time,” says guitarist Anton Pearson of the change between Bright Green Field and O Monolith. “We wanted to embrace those slightly funny moments, where you establish a tone then free-fall into another sonic world, which is something we always do when we’re making music together.” A sense of open conversation is cultivated: this is unmistakably music made by friends, but it’s not exclusionary – they’re inviting you in to listen with them.
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